SMASH
Performance: I slam the marble racket on the ground like a frustrated player. The frame breaks, but the strings hold the pieces together. The spark that started the whole exhibition.
Grande Slam comes from two passions I have carried since childhood: tennis and comic-book drawing. I brought them together with the tools of my trade, marble sculpture. Here marble, the "noble" material you must not touch, is picked up, weighed, played with and broken.
"Lorenzo Perrucci's work is not mere provocation: it is a synthetic action that brings together sculptural production, ambiguous compositions and free associations. […] The racket is not meant as praise or a simulacrum of the sport, but as a ritual tool that turns the 'smash' into an artistic act of metamorphosis."
— Daniele Sorace, art historian (translated from Italian)
The series of tennis rackets carved in Carrara marble, photographed in the quarry. Each racket is a unique piece and is for sale.








Rallying on a padel court with a frying pan instead of a racket. A joint project with sculptor Federico Telloli, who took the photos; on the other side of the net, Diego Monacchia and Marco Pani. The pan is 100% real: that same evening, once washed, I fried sweet-and-sour green peppers in it.





Ten black-and-white digital illustrations: tennis champions teased about their names, the way a kid would. Click a poster to read the pun.










Performance: I slam the marble racket on the ground like a frustrated player. The frame breaks, but the strings hold the pieces together. The spark that started the whole exhibition.
A deliberately phallic tribute to the cover of the album "Palle" by Italian band Squallor. Geometric carving with Marco Danesi.
The slab is laid on the court and hit with a ball: depending on where the mark lands, the work is called IN, OUT or ACE.
The platform on which the SMASH racket is broken. Also suitable for breakfast, breakdance or a break-up.
"Marble" and "table" rhyme: that was reason enough. You play ping-pong with me on a laid table; hit a plate or a glass and you lose the point.
Works made in Filippo Tincolini's studio. First stage of the exhibition: Carrara, in the space of Filippo Tincolini and Laura Veschi.